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	<id>http://www.errorbar.net/rw/w/index.php?action=history&amp;feed=atom&amp;title=Chapter_6</id>
	<title>Chapter 6 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://www.errorbar.net/rw/w/index.php?action=history&amp;feed=atom&amp;title=Chapter_6"/>
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	<updated>2026-06-22T22:12:31Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=710&amp;oldid=prev</id>
		<title>Eli Bishop at 05:26, 10 August 2017</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=710&amp;oldid=prev"/>
		<updated>2017-08-10T05:26:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:26, 10 August 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l4&quot; &gt;Line 4:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 4:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The story is divided into numbered (or No.'d) verses, a useful device since Riddley and other authorities must be able to cite verses from memory. Several {{Ix|No.|numbers}} in particular may draw our attention: 1 and 2, in an ongoing theme of duality and separation; 12, the number of points on the stag's antlers, Riddley's age, and the number of the verse in which Eusa demands knowledge from the Addom; 33, the number of the last verse, the age of both Riddley's father and Jesus at their deaths.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The story is divided into numbered (or No.'d) verses, a useful device since Riddley and other authorities must be able to cite verses from memory. Several {{Ix|No.|numbers}} in particular may draw our attention: 1 and 2, in an ongoing theme of duality and separation; 12, the number of points on the stag's antlers, Riddley's age, and the number of the verse in which Eusa demands knowledge from the Addom; 33, the number of the last verse, the age of both Riddley's father and Jesus at their deaths.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{ChapterNav |prev=5 |next=7}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_30_18}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_30_18}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot; &gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_34_8}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_34_8}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_35_27}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_35_27}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;----&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{ChapterNav |prev=5 |next=7}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eli Bishop</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=377&amp;oldid=prev</id>
		<title>Eli Bishop at 05:11, 29 July 2013</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=377&amp;oldid=prev"/>
		<updated>2013-07-29T05:11:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:11, 29 July 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* (Eusa Story)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* (Eusa Story)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* This chapter tells the central myth of Riddley's people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obtain the secret of the {{Ix|1 Big 1}}, leading to an apocalyptic war; has his family torn from him by degrees; and is doomed to wander the earth as he suffers the {{Ix|Master Chaynjis}} (changes). On one level, this is a straightforward narrative of forbidden knowledge and the fall of civilization, with strong echoes of the nuclear scientist's story in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''[[Related works#A Canticle for Leibowitz&lt;/del&gt;|A Canticle for Leibowitz&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]''&lt;/del&gt;. But like most other things in this novel, the Eusa Story contains multiple levels of meaning. Some of these will be made explicit in [[Chapter 14]]. There are obvious echoes of older religious stories including the fall of Adam and Eve, the suffering of Christ and Job, and the lessons of hard necessity in the Bhagavad-Gita.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* This chapter tells the central myth of Riddley's people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obtain the secret of the {{Ix|1 Big 1}}, leading to an apocalyptic war; has his family torn from him by degrees; and is doomed to wander the earth as he suffers the {{Ix|Master Chaynjis}} (changes). On one level, this is a straightforward narrative of forbidden knowledge and the fall of civilization, with strong echoes of the nuclear scientist's story in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;{{Bibliocite&lt;/ins&gt;|A Canticle for Leibowitz&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;}}&lt;/ins&gt;. But like most other things in this novel, the Eusa Story contains multiple levels of meaning. Some of these will be made explicit in [[Chapter 14]]. There are obvious echoes of older religious stories including the fall of Adam and Eve, the suffering of Christ and Job, and the lessons of hard necessity in the Bhagavad-Gita.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Like most things in the book, Eusa's name seems to come from many sources at once: &amp;quot;{{Ix|Eustace}}&amp;quot;; &amp;quot;us&amp;quot; (his everyman role); &amp;quot;use&amp;quot; (a manipulative, mechanistic approach to life); and also (as suggested by [http://www.ocelotfactory.com/hoban/cowart1.html David Cowart]) &amp;quot;USA&amp;quot;, the birthplace of nuclear weapons and of Hoban. (The author has since denied that any of these meanings were intentional, except for Eustace. {{By|RH}})&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Like most things in the book, Eusa's name seems to come from many sources at once: &amp;quot;{{Ix|Eustace}}&amp;quot;; &amp;quot;us&amp;quot; (his everyman role); &amp;quot;use&amp;quot; (a manipulative, mechanistic approach to life); and also (as suggested by [http://www.ocelotfactory.com/hoban/cowart1.html David Cowart]) &amp;quot;USA&amp;quot;, the birthplace of nuclear weapons and of Hoban. (The author has since denied that any of these meanings were intentional, except for Eustace. {{By|RH}})&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eli Bishop</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=307&amp;oldid=prev</id>
		<title>Eli Bishop at 02:53, 29 July 2013</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=307&amp;oldid=prev"/>
		<updated>2013-07-29T02:53:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:53, 29 July 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* (Eusa Story)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* (Eusa Story)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* This chapter tells the central myth of Riddley's people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obtain the secret of the {{Ix|1 Big 1}}, leading to an apocalyptic war; has his family torn from him by degrees; and is doomed to wander the earth as he suffers the {{Ix|Master Chaynjis}} (changes). On one level, this is a straightforward narrative of forbidden knowledge and the fall of civilization, with strong echoes of the nuclear scientist's story in ''[[Related works#A Canticle for Leibowitz|A Canticle for Leibowitz]]''. But like most other things in this novel, the Eusa Story contains multiple levels of meaning. Some of these will be made explicit in [[Chapter 14]]. There are obvious echoes of older religious stories including the fall of Adam and Eve, the suffering of Christ and Job, and the lessons of hard necessity in the Bhagavad-Gita.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* This chapter tells the central myth of Riddley's people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obtain the secret of the {{Ix|1 Big 1}}, leading to an apocalyptic war; has his family torn from him by degrees; and is doomed to wander the earth as he suffers the {{Ix|Master Chaynjis}} (changes). On one level, this is a straightforward narrative of forbidden knowledge and the fall of civilization, with strong echoes of the nuclear scientist's story in ''[[Related works#A Canticle for Leibowitz|A Canticle for Leibowitz]]''. But like most other things in this novel, the Eusa Story contains multiple levels of meaning. Some of these will be made explicit in [[Chapter 14]]. There are obvious echoes of older religious stories including the fall of Adam and Eve, the suffering of Christ and Job, and the lessons of hard necessity in the Bhagavad-Gita.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Like most things in the book, Eusa's name seems to come from many sources at once: &amp;quot;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/del&gt;Eustace&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/del&gt;&amp;quot;; &amp;quot;us&amp;quot; (his everyman role); &amp;quot;use&amp;quot; (a manipulative, mechanistic approach to life); and also (as suggested by [http://www.ocelotfactory.com/hoban/cowart1.html David Cowart]) &amp;quot;USA&amp;quot;, the birthplace of nuclear weapons and of Hoban. (The author has since denied that any of these meanings were intentional, except for Eustace. {{By|RH}})&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Like most things in the book, Eusa's name seems to come from many sources at once: &amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;{{Ix|&lt;/ins&gt;Eustace&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;}}&lt;/ins&gt;&amp;quot;; &amp;quot;us&amp;quot; (his everyman role); &amp;quot;use&amp;quot; (a manipulative, mechanistic approach to life); and also (as suggested by [http://www.ocelotfactory.com/hoban/cowart1.html David Cowart]) &amp;quot;USA&amp;quot;, the birthplace of nuclear weapons and of Hoban. (The author has since denied that any of these meanings were intentional, except for Eustace. {{By|RH}})&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The story is divided into numbered (or No.'d) verses, a useful device since Riddley and other authorities must be able to cite verses from memory. Several {{Ix|No.|numbers}} in particular may draw our attention: 1 and 2, in an ongoing theme of duality and separation; 12, the number of points on the stag's antlers, Riddley's age, and the number of the verse in which Eusa demands knowledge from the Addom; 33, the number of the last verse, the age of both Riddley's father and Jesus at their deaths.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The story is divided into numbered (or No.'d) verses, a useful device since Riddley and other authorities must be able to cite verses from memory. Several {{Ix|No.|numbers}} in particular may draw our attention: 1 and 2, in an ongoing theme of duality and separation; 12, the number of points on the stag's antlers, Riddley's age, and the number of the verse in which Eusa demands knowledge from the Addom; 33, the number of the last verse, the age of both Riddley's father and Jesus at their deaths.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eli Bishop</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=306&amp;oldid=prev</id>
		<title>Eli Bishop at 02:53, 29 July 2013</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=306&amp;oldid=prev"/>
		<updated>2013-07-29T02:53:12Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 02:53, 29 July 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* (Eusa Story)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* (Eusa Story)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* This chapter tells the central myth of Riddley's people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obtain the secret of the {{Ix|1 Big 1}}, leading to an apocalyptic war; has his family torn from him by degrees; and is doomed to wander the earth as he suffers the {{Ix|Master Chaynjis}} (changes). On one level, this is a straightforward narrative of forbidden knowledge and the fall of civilization, with strong echoes of the nuclear scientist's story in ''[[A Canticle for Leibowitz]]''. But like most other things in this novel, the Eusa Story contains multiple levels of meaning. Some of these will be made explicit in [[Chapter 14]]. There are obvious echoes of older religious stories including the fall of Adam and Eve, the suffering of Christ and Job, and the lessons of hard necessity in the Bhagavad-Gita.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* This chapter tells the central myth of Riddley's people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obtain the secret of the {{Ix|1 Big 1}}, leading to an apocalyptic war; has his family torn from him by degrees; and is doomed to wander the earth as he suffers the {{Ix|Master Chaynjis}} (changes). On one level, this is a straightforward narrative of forbidden knowledge and the fall of civilization, with strong echoes of the nuclear scientist's story in ''[[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Related works#A Canticle for Leibowitz|&lt;/ins&gt;A Canticle for Leibowitz]]''. But like most other things in this novel, the Eusa Story contains multiple levels of meaning. Some of these will be made explicit in [[Chapter 14]]. There are obvious echoes of older religious stories including the fall of Adam and Eve, the suffering of Christ and Job, and the lessons of hard necessity in the Bhagavad-Gita.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Like most things in the book, Eusa's name seems to come from many sources at once: &amp;quot;[[Eustace]]&amp;quot;; &amp;quot;us&amp;quot; (his everyman role); &amp;quot;use&amp;quot; (a manipulative, mechanistic approach to life); and also (as suggested by [http://www.ocelotfactory.com/hoban/cowart1.html David Cowart]) &amp;quot;USA&amp;quot;, the birthplace of nuclear weapons and of Hoban. (The author has since denied that any of these meanings were intentional, except for Eustace. {{By|RH}})&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Like most things in the book, Eusa's name seems to come from many sources at once: &amp;quot;[[Eustace]]&amp;quot;; &amp;quot;us&amp;quot; (his everyman role); &amp;quot;use&amp;quot; (a manipulative, mechanistic approach to life); and also (as suggested by [http://www.ocelotfactory.com/hoban/cowart1.html David Cowart]) &amp;quot;USA&amp;quot;, the birthplace of nuclear weapons and of Hoban. (The author has since denied that any of these meanings were intentional, except for Eustace. {{By|RH}})&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eli Bishop</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=233&amp;oldid=prev</id>
		<title>Eli Bishop at 23:05, 28 July 2013</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=233&amp;oldid=prev"/>
		<updated>2013-07-28T23:05:41Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:05, 28 July 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;div class=&amp;quot;ch_top&amp;quot;&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* (Eusa Story)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*(Eusa Story)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* This chapter tells the central myth of Riddley's people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obtain the secret of the {{Ix|1 Big 1}}, leading to an apocalyptic war; has his family torn from him by degrees; and is doomed to wander the earth as he suffers the {{Ix|Master Chaynjis}} (changes). On one level, this is a straightforward narrative of forbidden knowledge and the fall of civilization, with strong echoes of the nuclear scientist's story in ''[[A Canticle for Leibowitz]]''. But like most other things in this novel, the Eusa Story contains multiple levels of meaning. Some of these will be made explicit in [[Chapter 14]]. There are obvious echoes of older religious stories including the fall of Adam and Eve, the suffering of Christ and Job, and the lessons of hard necessity in the Bhagavad-Gita.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*This chapter tells the central myth of Riddley's people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obtain the secret of the {{Ix|1 Big 1}}, leading to an apocalyptic war; has his family torn from him by degrees; and is doomed to wander the earth as he suffers the {{Ix|Master Chaynjis}} (changes). On one level, this is a straightforward narrative of forbidden knowledge and the fall of civilization, with strong echoes of the nuclear scientist's story in ''[[A Canticle for Leibowitz]]''. But like most other things in this novel, the Eusa Story contains multiple levels of meaning. Some of these will be made explicit in [[Chapter 14]]. There are obvious echoes of older religious stories including the fall of Adam and Eve, the suffering of Christ and Job, and the lessons of hard necessity in the Bhagavad-Gita.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Like most things in the book, Eusa's name seems to come from many sources at once: &amp;quot;[[Eustace]]&amp;quot;; &amp;quot;us&amp;quot; (his everyman role); &amp;quot;use&amp;quot; (a manipulative, mechanistic approach to life); and also (as suggested by [http://www.ocelotfactory.com/hoban/cowart1.html David Cowart]) &amp;quot;USA&amp;quot;, the birthplace of nuclear weapons and of Hoban. (The author has since denied that any of these meanings were intentional, except for Eustace. {{By|RH}})&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Like most things in the book, Eusa's name seems to come from many sources at once: &amp;quot;[[Eustace]]&amp;quot;; &amp;quot;us&amp;quot; (his everyman role); &amp;quot;use&amp;quot; (a manipulative, mechanistic approach to life); and also (as suggested by [http://www.ocelotfactory.com/hoban/cowart1.html David Cowart]) &amp;quot;USA&amp;quot;, the birthplace of nuclear weapons and of Hoban. (The author has since denied that any of these meanings were intentional, except for Eustace. {{By|RH}})&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The story is divided into numbered (or No.'d) verses, a useful device since Riddley and other authorities must be able to cite verses from memory. Several {{Ix|No.|numbers}} in particular may draw our attention: 1 and 2, in an ongoing theme of duality and separation; 12, the number of points on the stag's antlers, Riddley's age, and the number of the verse in which Eusa demands knowledge from the Addom; 33, the number of the last verse, the age of both Riddley's father and Jesus at their deaths.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*The story is divided into numbered (or No.'d) verses, a useful device since Riddley and other authorities must be able to cite verses from memory. Several {{Ix|No.|numbers}} in particular may draw our attention: 1 and 2, in an ongoing theme of duality and separation; 12, the number of points on the stag's antlers, Riddley's age, and the number of the verse in which Eusa demands knowledge from the Addom; 33, the number of the last verse, the age of both Riddley's father and Jesus at their deaths.&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;/div&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_30_18}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_30_18}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eli Bishop</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=219&amp;oldid=prev</id>
		<title>Eli Bishop at 22:58, 28 July 2013</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=219&amp;oldid=prev"/>
		<updated>2013-07-28T22:58:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:58, 28 July 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div class=&amp;quot;ch_top&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div class=&amp;quot;ch_top&amp;quot;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;;&lt;/del&gt;(Eusa Story)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;(Eusa Story)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/del&gt;This chapter tells the central myth of Riddley's people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obtain the secret of the {{Ix|1 Big 1}}, leading to an apocalyptic war; has his family torn from him by degrees; and is doomed to wander the earth as he suffers the {{Ix|Master Chaynjis}} (changes). On one level, this is a straightforward narrative of forbidden knowledge and the fall of civilization, with strong echoes of the nuclear scientist's story in ''[[A Canticle for Leibowitz]]''. But like most other things in this novel, the Eusa Story contains multiple levels of meaning. Some of these will be made explicit in [[Chapter 14]]. There are obvious echoes of older religious stories including the fall of Adam and Eve, the suffering of Christ and Job, and the lessons of hard necessity in the Bhagavad-Gita.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;This chapter tells the central myth of Riddley's people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obtain the secret of the {{Ix|1 Big 1}}, leading to an apocalyptic war; has his family torn from him by degrees; and is doomed to wander the earth as he suffers the {{Ix|Master Chaynjis}} (changes). On one level, this is a straightforward narrative of forbidden knowledge and the fall of civilization, with strong echoes of the nuclear scientist's story in ''[[A Canticle for Leibowitz]]''. But like most other things in this novel, the Eusa Story contains multiple levels of meaning. Some of these will be made explicit in [[Chapter 14]]. There are obvious echoes of older religious stories including the fall of Adam and Eve, the suffering of Christ and Job, and the lessons of hard necessity in the Bhagavad-Gita.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/del&gt;Like most things in the book, Eusa's name seems to come from many sources at once: &amp;quot;[[Eustace]]&amp;quot;; &amp;quot;us&amp;quot; (his everyman role); &amp;quot;use&amp;quot; (a manipulative, mechanistic approach to life); and also (as suggested by [http://www.ocelotfactory.com/hoban/cowart1.html David Cowart]) &amp;quot;USA&amp;quot;, the birthplace of nuclear weapons and of Hoban. (The author has since denied that any of these meanings were intentional, except for Eustace. {{By|RH}})&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;Like most things in the book, Eusa's name seems to come from many sources at once: &amp;quot;[[Eustace]]&amp;quot;; &amp;quot;us&amp;quot; (his everyman role); &amp;quot;use&amp;quot; (a manipulative, mechanistic approach to life); and also (as suggested by [http://www.ocelotfactory.com/hoban/cowart1.html David Cowart]) &amp;quot;USA&amp;quot;, the birthplace of nuclear weapons and of Hoban. (The author has since denied that any of these meanings were intentional, except for Eustace. {{By|RH}})&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/del&gt;As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;:&lt;/del&gt;The story is divided into numbered (or No.'d) verses, a useful device since Riddley and other authorities must be able to cite verses from memory. Several {{Ix|No.|numbers}} in particular may draw our attention: 1 and 2, in an ongoing theme of duality and separation; 12, the number of points on the stag's antlers, Riddley's age, and the number of the verse in which Eusa demands knowledge from the Addom; 33, the number of the last verse, the age of both Riddley's father and Jesus at their deaths.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;*&lt;/ins&gt;The story is divided into numbered (or No.'d) verses, a useful device since Riddley and other authorities must be able to cite verses from memory. Several {{Ix|No.|numbers}} in particular may draw our attention: 1 and 2, in an ongoing theme of duality and separation; 12, the number of points on the stag's antlers, Riddley's age, and the number of the verse in which Eusa demands knowledge from the Addom; 33, the number of the last verse, the age of both Riddley's father and Jesus at their deaths.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eli Bishop</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=214&amp;oldid=prev</id>
		<title>Eli Bishop: Created page with &quot;&lt;div class=&quot;ch_top&quot;&gt; ;(Eusa Story) :This chapter tells the central myth of Riddley's people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obt...&quot;</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_6&amp;diff=214&amp;oldid=prev"/>
		<updated>2013-07-28T22:53:58Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;lt;div class=&amp;quot;ch_top&amp;quot;&amp;gt; ;(Eusa Story) :This chapter tells the central myth of Riddley&amp;#039;s people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obt...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;div class=&amp;quot;ch_top&amp;quot;&amp;gt;&lt;br /&gt;
;(Eusa Story)&lt;br /&gt;
:This chapter tells the central myth of Riddley's people, in which {{Ix|Eusa}} tempts fate by splitting the {{Ix|Addom}} (atom, Adam) to obtain the secret of the {{Ix|1 Big 1}}, leading to an apocalyptic war; has his family torn from him by degrees; and is doomed to wander the earth as he suffers the {{Ix|Master Chaynjis}} (changes). On one level, this is a straightforward narrative of forbidden knowledge and the fall of civilization, with strong echoes of the nuclear scientist's story in ''[[A Canticle for Leibowitz]]''. But like most other things in this novel, the Eusa Story contains multiple levels of meaning. Some of these will be made explicit in [[Chapter 14]]. There are obvious echoes of older religious stories including the fall of Adam and Eve, the suffering of Christ and Job, and the lessons of hard necessity in the Bhagavad-Gita.&lt;br /&gt;
:Like most things in the book, Eusa's name seems to come from many sources at once: &amp;quot;[[Eustace]]&amp;quot;; &amp;quot;us&amp;quot; (his everyman role); &amp;quot;use&amp;quot; (a manipulative, mechanistic approach to life); and also (as suggested by [http://www.ocelotfactory.com/hoban/cowart1.html David Cowart]) &amp;quot;USA&amp;quot;, the birthplace of nuclear weapons and of Hoban. (The author has since denied that any of these meanings were intentional, except for Eustace. {{By|RH}})&lt;br /&gt;
:As [[A_29_9|noted earlier]], the Eusa Story is written in a different, earlier form of English than Riddley uses. At first glance, it is more crudely phonetic. However, it is not without its own rules—e.g., &amp;quot;thay&amp;quot; as the plural form of &amp;quot;the.&amp;quot; It also follows Riddley's rule of never spelling out numbers.&lt;br /&gt;
:The story is divided into numbered (or No.'d) verses, a useful device since Riddley and other authorities must be able to cite verses from memory. Several {{Ix|No.|numbers}} in particular may draw our attention: 1 and 2, in an ongoing theme of duality and separation; 12, the number of points on the stag's antlers, Riddley's age, and the number of the verse in which Eusa demands knowledge from the Addom; 33, the number of the last verse, the age of both Riddley's father and Jesus at their deaths.&lt;br /&gt;
&amp;lt;/div&amp;gt;&lt;br /&gt;
&lt;br /&gt;
{{:A_30_18}}&lt;br /&gt;
{{:A_30_23}}&lt;br /&gt;
{{:A_31_1}}&lt;br /&gt;
{{:A_31_2}}&lt;br /&gt;
{{:A_31_5}}&lt;br /&gt;
{{:A_31_16}}&lt;br /&gt;
{{:A_31_20}}&lt;br /&gt;
{{:A_31_30}}&lt;br /&gt;
{{:A_32_7}}&lt;br /&gt;
{{:A_32_11}}&lt;br /&gt;
{{:A_33_4}}&lt;br /&gt;
{{:A_34_8}}&lt;br /&gt;
{{:A_35_27}}&lt;/div&gt;</summary>
		<author><name>Eli Bishop</name></author>
	</entry>
</feed>