Difference between revisions of "Wallace Shawn"

From Nitbar
Jump to navigation Jump to search
Line 14: Line 14:
 
(All of the following except ''The Mandrake'' are unpublished, and are described in ''[[Writing Wrongs]]'')
 
(All of the following except ''The Mandrake'' are unpublished, and are described in ''[[Writing Wrongs]]'')
  
''The Music Teacher'' (1983). Libretto for opera, music by his brother Allen Shawn. No full productions (readings only).
+
''The Music Teacher'' (1983). Libretto for opera, music by his brother Allen Shawn. Had only readings, no full productions, until 2006 when it was produced in New York by The New Group.
  
 
''The Mandrake'' (1977). Translation/adaptation of Niccolo Machiavelli's 1524 political satire, with music and lyrics by Howard Goodall. Published in an acting edition.
 
''The Mandrake'' (1977). Translation/adaptation of Niccolo Machiavelli's 1524 political satire, with music and lyrics by Howard Goodall. Published in an acting edition.

Revision as of 02:30, 3 August 2016

Timeline

1943: Born November 12, New York City, to William Shawn (1907-1992) and Cecille Lyon Shawn. Both parents were journalists who worked at The New Yorker together, where William Shawn was editor-in-chief from 1952 to 1987. His father's name was originally Chon; William changed it in the 1930s to avoid being mistaken for Chinese.

1948: His brother Allan Shawn is born.

1960s: Attends Harvard, where his roommate is Jonathan Schell, who later writes The Fate of the Earth for The New Yorker. Graduates with B.A. in History.

1965: Goes to India on a Fulbright Fellowship, teaching English.

1966-68: Studies philosophy and economics at Oxford. Writes first play, Four Meals in May, of which he later says "I thought it was the answer to the war in Vietnam. I thought they would rename the country after me when people saw that play!" [Shewey] Returns to New York and teaches English, Latin, and drama.

1970: Writes The Hotel Play while staying in a hotel in the West Indies. Returning to New York that year, he sees Andre Gregory's adaptation of Alice in Wonderland and meets Gregory and another future frequent collaborator, Larry Pine.

1971: Reading of The Hospital Play at the Public Theater, prompting critic Martin Esslin to say "I will stake my career on the failure of this play!" [King] (Esslin's bet was a sound one.)

1975: Our Late Night, first produced play and first collaboration with director Andre Gregory. Wins Obie Award. Shawn works at a copy shop. Writes A Thought in Three Parts on commission for the Public Theater.

1977: Commissioned to translate Machiavelli's The Mandrake for the Public Theater, ends up making his acting debut in it as well. His brother Allen Shawn composes the score.

1978: Conceives the idea of My Dinner with Andre with Gregory and begins recording conversations that will eventually become the script.

1979: First film role, in Woody Allen's Manhattan.

Meets long-time companion Deborah Eisenberg at some point in the 1970s.

1981: The Hotel Play finally produced at La MaMa ETC, with cast including Shawn and Eisenberg.

1982: First TV role: two appearances on Taxi.

1985: Aunt Dan and Lemon wins Obie Award for Distinguished Playwriting.

1987: Appears as Vizzini in The Princess Bride (film).

1990: Travels to Guatemala, Honduras, Nicaragua, and El Salvador while writing The Fever. Performs the piece at friends' apartments in New York.

1991: The Fever opens at the Public Theater and wins Obie Award for Best New American Play.

1993: Starts longest-running and strangest TV role, as Grand Nagus Zek on Star Trek: Deep Space Nine.

2000: Reunited with Andre Gregory for brief New York production of The Designated Mourner acted by Shawn, Eisenberg, and Pine.

2004: Even more dismayed at the US political scene than usual, produces the brief anthology Final Edition with Eisenberg, Schell, Noam Chomsky, and Mark Strand.

Short writings by Shawn

  • "Mission: possible". Interview, April 1997. Interview by Shawn with actor Vanessa Redgrave (who later filmed The Fever) on current political trends and the function of theater artists in a troubled world.
  • "The Foreign Policy Therapist". The Nation, December 3, 2001. (Also printed in The Guardian, December 3, 2001.) The United States of America asks a therapist for advice: "I don't know what to do. I want to be safe. I want safety. But I have a terrible problem..."
  • Letter. The Nation, February 4, 2002. Shawn responds briefly to criticism that "The Foreign Policy Therapist" lacked "compassion": "The patient is armed and dangerous and is killing people between sessions."
  • "The Dangerous Restaurant". The Nation, October 28, 2002. The state of the world considered as a small room full of heavily armed people trying to mind their own business. "When the strongest, most successful and most ruthless person in a group claims to be taking some particularly nasty and aggressive action against another member of the group because he claims to be afraid of them, it's sometimes hard to take him seriously—especially if, instead of looking fearful, he seems to have an excited smile on his face, as if he were having the time of his life."
  • "Fragments from a Diary". The Nation, March 31, 2003. Notes from the months leading up to the Second Gulf War. "Meanwhile, I read my New York Times, and it's all very calm. The people who write there seem to have a need to believe that their government, while sometimes wrong, of course, is not utterly insane, and must at least be trusted to raise the right questions. These writers just can't bear the thought of being completely alienated from the center of their society, their own government."

Other reading