Tik-Tok/A...E

A

As I move

The first three words of the novel make it clear that Isaac Asimov will be a major figure throughout, even though he's never mentioned by name as a writer. Sladek used the name "I-click As-i-move" as the author of his Asimov parody story "Broot Force".[1]

An Inspector Calls

The 1945 play by J.B. Priestley, in which a detective coaxes out a family's guilty secrets after the death of one of their employees. Despite its resemblance to the familiar "questioning all the suspects in the drawing room" type of plot, it's not a murder mystery but more of a social critique, implicating the family for their unexamined privilege and predicting that lack of empathy will one day lead to "fire and blood and anguish"—an appropriate choice for Tik-Tok, who is at this point just starting to acknowledge his anger at humans but hasn't yet committed a crime.

the Fairmont police

The Studebaker storyline doesn't seem to be set in any specific part of the country, but it's probably not a coincidence that there is a small town called Fairmont in Sladek's home state of Minnesota.

Sauce Harpeau

Not a real food item; harpeau is French for "harpoon" or "grappling hook".

The poor we have always with us

Matthew 26:11, Mark 14:7, and John 12:8. Sometimes wrongly cited as a reason to be complacent about inequality.[2]

Wedgwood

An English brand of fine china.

asimov circuits ... three laws

Asimov's fictional Three Laws of Robotics prescribed that (in descending order of priority) a robot must not cause or allow harm to humans, must obey humans, and must protect itself from harm. In Asimov's stories, these rules were literally hard-wired into nearly every robot brain, more or less as Tik-Tok describes here. But as previously mentioned in Roderick, Sladek doesn't find that idea very plausible.

Although Tik-Tok strongly suspects that the "asimov circuits" don't physically exist and are more like a religious belief, the book never takes a firm stand on this question—leaving open the possibility that Tik-Tok is just psychologically unusual, or that the asimov circuits might have worked at one point but are no longer reliable since robots have become more complex (and, as Tik-Tok mentions in the next chapter, more cheaply produced).

a fencepost ... an animal perched upon it, ears twitching

A stain on a wall that ambiguously suggested different shapes was a recurring image in Roderick.

Calvary roses

The "rose of Calvary" is a traditional Christian metaphor for the death and resurrection of Jesus. Here, it's just a posh variety of flowers.

As you can see, it's a nursery rhyme

To see which nursery rhyme it is, you'll have to wait until the painting is finally described at the end of the third chapter.

The complex domestic robot ... has to tell lies

Besides being fairly plausible as human psychology, Dr. Weaverson's theory of the damaging effects of socially mandated dishonesty may have been influenced by Arthur C. Clarke's characterization of HAL 9000, who (in Clarke's novels, though not in the film of 2001) was driven insane by being ordered to lie.

B

What the hammer? What the chain?

From The Tyger.

stamped out like apostle spoons

Apostle spoons were religiously themed silverware sets.

an ancient Mississippi plantation, restored to its antebellum splendor

Tik-Tok's first owners, the Culpeppers, aren't just futuristic caricatures of 19th century slaveowning aristocrats; they've deliberately modeled themselves on the old South. A recurring theme in Tik-Tok is that the American legacy of slavery, racism, and exploitation in general, despite some temporary setbacks after the Civil War and during the 20th century, would still find plenty of people eager to recreate its worst horrors as soon as they had the opportunity to utterly dominate a thinking being with no legal rights... especially if that allowed them to live in luxury.

The Culpepper property, Ten Oaks, was a real plantation in Greenwood, Mississippi. Greenwood was a major center of civil rights activism in the 1960s; choosing to restore a slave plantation there in particular is one of the subtler signs that the Culpeppers are extremely bad people.

Uncle Rasselas

Named after Samuel Johnson's fictional Prince of Abissinia, with echoes of Uncle Remus and Uncle Tom.

the kitchen help, Ben, Jemima, Molasses and Big Mac

The first two are named after Uncle Ben's and Aunt Jemima, both food brands that used smiling African-American characters as .

the waiters, Groucho, Harpo, Chico and Spiro

The first three are named after Marx Brothers (the three most popular ones, that is; Gummo and Zeppo get no more attention here than they did in life), and the fourth after Nixon's disgraced Vice President Spiro Agnew.

Côtes Des Moines

A joke on Côtes du Rhône and Des Moines, Iowa (similar to Sladek's notion in Roderick that the art world of the Midwest would have a Des Moines Bienniale). In French the name of this wine would literally mean "shores of the monks".

fluorescent white peruke

Peruke or perruque was a kind of men's wig popular with 17th-century courtiers.

mink lapels on a jacket of diamondback rattlesnake, a neon tie with a wicker suit

The long list of future garments in this paragraph might be considered an attempt to outdo the then-recently-deceased past master of ridiculous science fiction couture, Philip K. Dick. Never very interested in detailed world-building, but always confident that people in every era will take for granted things that would look pretty silly to people in previous eras, Dick took full advantage of his non-visual medium to throw in offhanded references to styles like "mohair poncho, apricot-colored felt hat, argyle ski socks and carpet slippers"[3] without distracting too much from his plots.

Sladek's fashion reverie here works a little differently: it's not so much about the arbitrariness of mainstream tastes, but a reminder that the callous elites who will shape Tik-Tok's view of humanity are very, very rich and very, very bored. Despite his naive admiration for these swells, Tik-Tok is also learning early on that humans are massively overconfident and have no real respect for their own mortality—as evidenced by the animated news-interpreting dress that's programmed to illustrate the end of the world as "a fine sunset".

a micro-record of the Prado

The Museo del Prado.