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	<id>http://www.errorbar.net/nitsw/index.php?action=history&amp;feed=atom&amp;title=Roderick%2FBook_One</id>
	<title>Roderick/Book One - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://www.errorbar.net/nitsw/index.php?action=history&amp;feed=atom&amp;title=Roderick%2FBook_One"/>
	<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;action=history"/>
	<updated>2026-04-21T19:28:29Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.35.13</generator>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1965&amp;oldid=prev</id>
		<title>Eb: /* guys fuckin' clocks */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1965&amp;oldid=prev"/>
		<updated>2025-01-24T20:42:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;guys fuckin&amp;#039; clocks&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:42, 24 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l271&quot; &gt;Line 271:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 271:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is almost literally physically painful to acknowledge this pun, or anagram rationalization, or whatever you want to call it, but the obscene drawing described here with the &amp;lt;small&amp;gt;DALI LAID DIAL&amp;lt;/small&amp;gt; caption is of course based on Dali's painting ''{{wp|The Persistence of Memory}}''. Good grief, Sladek.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is almost literally physically painful to acknowledge this pun, or anagram rationalization, or whatever you want to call it, but the obscene drawing described here with the &amp;lt;small&amp;gt;DALI LAID DIAL&amp;lt;/small&amp;gt; caption is of course based on Dali's painting ''{{wp|The Persistence of Memory}}''. Good grief, Sladek.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One might assume that the graffiti artist was Allbright: that kind of compulsive free-association is in character for him, and I'm not sure there are any other characters hanging around Minnetonka U who are creative enough ''and'' rude enough. However, Allbright does at times seem to be partly an excuse for the author to throw in any word games he already felt like playing (although this may also be a sign that the author felt a little guilty about doing so, since Allbright is a basket case and this is what he does ''instead of'' writing his poetry). To David Langford's&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;&lt;/del&gt;ref &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;name=&amp;quot;langford-interview&amp;quot;&amp;gt;&lt;/del&gt;Langford&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, David. [http://ansible.uk/writing/jsladek.html &amp;quot;An Interview with John Sladek&amp;quot;]. ''Vector'' 112. February 1983. (Reproduced in ''Ansible''. Accessed July 20, 2016.)&amp;lt;/ref&amp;gt; &lt;/del&gt;question about whether the &amp;quot;thread of compulsive intellectual doodling that runs through [his] work&amp;quot; might have something to do with his lapsed Catholicism, Sladek said &amp;quot;Whence the ciphers and anagrams, I don't know&amp;quot; but added that &amp;quot;Catholics (among others) behave as though the world were one enormous cipher text in which every thing means something—but only to God or Fate.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One might assume that the graffiti artist was Allbright: that kind of compulsive free-association is in character for him, and I'm not sure there are any other characters hanging around Minnetonka U who are creative enough ''and'' rude enough. However, Allbright does at times seem to be partly an excuse for the author to throw in any word games he already felt like playing (although this may also be a sign that the author felt a little guilty about doing so, since Allbright is a basket case and this is what he does ''instead of'' writing his poetry). To David Langford's&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;{{&lt;/ins&gt;ref &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sladek &lt;/ins&gt;Langford&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;}} &lt;/ins&gt;question about whether the &amp;quot;thread of compulsive intellectual doodling that runs through [his] work&amp;quot; might have something to do with his lapsed Catholicism, Sladek said &amp;quot;Whence the ciphers and anagrams, I don't know&amp;quot; but added that &amp;quot;Catholics (among others) behave as though the world were one enormous cipher text in which every thing means something—but only to God or Fate.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== this Graham Greene yarn I'm reading ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== this Graham Greene yarn I'm reading ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1964&amp;oldid=prev</id>
		<title>Eb: /* W. Gaddis ... J.R. */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1964&amp;oldid=prev"/>
		<updated>2025-01-24T20:41:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;W. Gaddis ... J.R.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:41, 24 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l241&quot; &gt;Line 241:&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== W. Gaddis ... ''J.R.'' ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== W. Gaddis ... ''J.R.'' ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''{{wp|J R}}'' is a 1975 novel by William Gaddis, whom Sladek cited&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;&lt;/del&gt;ref &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;name=&amp;quot;langford-interview&amp;quot;&amp;gt;&lt;/del&gt;Langford&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, David. [http://ansible.uk/writing/jsladek.html &amp;quot;An Interview with John Sladek&amp;quot;]. ''Vector'' 112. February 1983. (Reproduced in ''Ansible''. Accessed July 20, 2016.)&amp;lt;/ref&amp;gt; &lt;/del&gt;as one of his favorite authors and an influence on ''Roderick''. I haven't read it, but it's probably safe to say that the Shah has a very inaccurate notion of what it's about.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;''{{wp|J R}}'' is a 1975 novel by William Gaddis, whom Sladek cited&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;{{&lt;/ins&gt;ref &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sladek &lt;/ins&gt;Langford&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;}} &lt;/ins&gt;as one of his favorite authors and an influence on ''Roderick''. I haven't read it, but it's probably safe to say that the Shah has a very inaccurate notion of what it's about.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Mr. Wilde suggested shooting all the piano players ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Mr. Wilde suggested shooting all the piano players ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1963&amp;oldid=prev</id>
		<title>Eb: /* Ptolemy doesn't mention the Southern hemisphere .... it's not important */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1963&amp;oldid=prev"/>
		<updated>2025-01-24T20:40:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Ptolemy doesn&amp;#039;t mention the Southern hemisphere .... it&amp;#039;s not important&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:40, 24 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l113&quot; &gt;Line 113:&lt;/td&gt;
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&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lyle's question to Dr. McGuffey is one of the simplest and most popular challenges to the premises of astrology (although not one that Origen, living in the northern hemisphere, would have thought of): the traditional meanings of the constellations and planets, although supposedly representing universal truths—sometimes tied to the climate, such as the association of Aries with spring—are derived from European and North African sources who didn't know that the other half of the world has opposite seasons and different constellations. Modern astrologers have thought of various ways to rationalize this&amp;lt;ref&amp;gt;For instance, [http://www.angelfire.com/music2/alchemy/astrology/mirrorzodiac.html &amp;quot;Astrology: Are Zodiac Signs Reversed In Earth's Southern Hemisphere?—A Whole-Earth, Dual-Sign, 6-sign, or Mirror Zodiac: A Possible Solution To The Problem Of Matching Astrology's Seasonally-Derived, Northern Hemisphere Zodiac Signs To Countries In The Southern Hemisphere&amp;quot;] (author unknown)&amp;lt;/ref&amp;gt;, but McGuffey here takes the simplest possible approach by just embracing Eurocentric racism.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lyle's question to Dr. McGuffey is one of the simplest and most popular challenges to the premises of astrology (although not one that Origen, living in the northern hemisphere, would have thought of): the traditional meanings of the constellations and planets, although supposedly representing universal truths—sometimes tied to the climate, such as the association of Aries with spring—are derived from European and North African sources who didn't know that the other half of the world has opposite seasons and different constellations. Modern astrologers have thought of various ways to rationalize this&amp;lt;ref&amp;gt;For instance, [http://www.angelfire.com/music2/alchemy/astrology/mirrorzodiac.html &amp;quot;Astrology: Are Zodiac Signs Reversed In Earth's Southern Hemisphere?—A Whole-Earth, Dual-Sign, 6-sign, or Mirror Zodiac: A Possible Solution To The Problem Of Matching Astrology's Seasonally-Derived, Northern Hemisphere Zodiac Signs To Countries In The Southern Hemisphere&amp;quot;] (author unknown)&amp;lt;/ref&amp;gt;, but McGuffey here takes the simplest possible approach by just embracing Eurocentric racism.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although popular pseudoscience was always one of Sladek's favorite targets (both in fiction, and in his 1973 nonfiction book ''The New Apocrypha''&amp;lt;ref&amp;gt;Sladek, John. ''The New Apocrypha: A Guide to Strange Sciences and Occult Beliefs''. Stein and Day, 1973. ISBN 0812817125&amp;lt;/ref&amp;gt;), he focused extra attention on astrology when he wrote ''Arachne Rising''&amp;lt;ref&amp;gt;Vogh, James (John Sladek). ''Arachne Rising''. Granada, 1977. ISBN 0246109319&amp;lt;/ref&amp;gt; in 1977 under the pseudonym James Vogh. ''Arachne Rising'' was a straight-faced prank in which he attempted—with some success—to convince readers that mainstream astrologers had been &amp;quot;suppressing&amp;quot; the existence of a 13th zodiac sign. He followed this with two similar spoofs, ''The Cosmic Factor''&amp;lt;ref&amp;gt;Vogh, James (John Sladek).  ''The Cosmic Factor: Bioastrology and You''. Dodd, Mead, 1978. ISBN 0396076858&amp;lt;/ref&amp;gt; and ''Judgement of Jupiter''&amp;lt;ref&amp;gt;Tilms, Richard (John Sladek). ''Judgement of Jupiter''. New English Library, 1980. ISBN 0450051536&amp;lt;/ref&amp;gt;, before giving up these endeavors as &amp;quot;a gigantic waste of time.&amp;quot;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;&lt;/del&gt;ref &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;name=&amp;quot;langford-&lt;/del&gt;obit&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&amp;gt;Langford, David. [http://ansible.uk/writing/ft143.html &amp;quot;Remembering John Sladek&amp;quot;]. ''Fortean Times'', 143. February 2001. Accessed July 20, 2016.&amp;lt;/ref&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although popular pseudoscience was always one of Sladek's favorite targets (both in fiction, and in his 1973 nonfiction book ''The New Apocrypha''&amp;lt;ref&amp;gt;Sladek, John. ''The New Apocrypha: A Guide to Strange Sciences and Occult Beliefs''. Stein and Day, 1973. ISBN 0812817125&amp;lt;/ref&amp;gt;), he focused extra attention on astrology when he wrote ''Arachne Rising''&amp;lt;ref&amp;gt;Vogh, James (John Sladek). ''Arachne Rising''. Granada, 1977. ISBN 0246109319&amp;lt;/ref&amp;gt; in 1977 under the pseudonym James Vogh. ''Arachne Rising'' was a straight-faced prank in which he attempted—with some success—to convince readers that mainstream astrologers had been &amp;quot;suppressing&amp;quot; the existence of a 13th zodiac sign. He followed this with two similar spoofs, ''The Cosmic Factor''&amp;lt;ref&amp;gt;Vogh, James (John Sladek).  ''The Cosmic Factor: Bioastrology and You''. Dodd, Mead, 1978. ISBN 0396076858&amp;lt;/ref&amp;gt; and ''Judgement of Jupiter''&amp;lt;ref&amp;gt;Tilms, Richard (John Sladek). ''Judgement of Jupiter''. New English Library, 1980. ISBN 0450051536&amp;lt;/ref&amp;gt;, before giving up these endeavors as &amp;quot;a gigantic waste of time.&amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;{{&lt;/ins&gt;ref &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sladek Langford &lt;/ins&gt;obit&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Business Appreciation and Applied Ethics ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Business Appreciation and Applied Ethics ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1877&amp;oldid=prev</id>
		<title>Eb at 20:12, 22 January 2025</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1877&amp;oldid=prev"/>
		<updated>2025-01-22T20:12:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:12, 22 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{#&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;css&lt;/del&gt;:&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;CSS/TiledTOC.css&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{#&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;addbodyclass&lt;/ins&gt;:&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;tiled-toc&lt;/ins&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This was originally published as Book One of ''[[Roderick]]'', and is also Book One of the combined edition ''The Complete Roderick''.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This was originally published as Book One of ''[[Roderick]]'', and is also Book One of the combined edition ''The Complete Roderick''.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1876&amp;oldid=prev</id>
		<title>Eb at 20:10, 22 January 2025</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1876&amp;oldid=prev"/>
		<updated>2025-01-22T20:10:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:10, 22 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{#css:CSS/TiledTOC.css}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This was originally published as Book One of ''[[Roderick]]'', and is also Book One of the combined edition ''The Complete Roderick''.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This was originally published as Book One of ''[[Roderick]]'', and is also Book One of the combined edition ''The Complete Roderick''.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1736&amp;oldid=prev</id>
		<title>Eb at 00:56, 18 January 2025</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1736&amp;oldid=prev"/>
		<updated>2025-01-18T00:56:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;amp;diff=1736&amp;amp;oldid=1345&quot;&gt;Show changes&lt;/a&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1345&amp;oldid=prev</id>
		<title>Eb: /* Aquinas, the Swine of Sicily ... accosted by a stranger made entirely of wood, metal ... */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1345&amp;oldid=prev"/>
		<updated>2020-04-10T06:13:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Aquinas, the Swine of Sicily ... accosted by a stranger made entirely of wood, metal ...&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:13, 10 April 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l145&quot; &gt;Line 145:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 145:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Aquinas, the Swine of Sicily ... accosted by a stranger made entirely of wood, metal ... ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Aquinas, the Swine of Sicily ... accosted by a stranger made entirely of wood, metal ... ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{wp|Thomas Aquinas}} (whom Sladek's friend Thomas Disch referenced frequently in ''[[Camp Concentration]]'') studied at the University of Paris under Albertus Magnus, who was (probably wrongly) thought to be an alchemist. This story is a garbled version of in which Aquinas found a lifelike automaton in Albertus's workshop, panicked and destroyed it.&amp;lt;ref&amp;gt;[http://www3.nd.edu/Departments/Maritain/etext/staamp3.htm &amp;quot;The Experimental Sciences—Albertus Magnus—Roger Bacon&amp;quot;], D.J. Kennedy (1919), in the University of Notre Dame's online Jacques Maritain Center collection&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{wp|Thomas Aquinas}} (whom Sladek's friend Thomas Disch referenced frequently in ''[[Camp Concentration]]'') studied at the University of Paris under Albertus Magnus, who was (probably wrongly) thought to be an alchemist. This story is a garbled version of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;one &lt;/ins&gt;in which Aquinas found a lifelike automaton in Albertus's workshop, panicked and destroyed it.&amp;lt;ref&amp;gt;[http://www3.nd.edu/Departments/Maritain/etext/staamp3.htm &amp;quot;The Experimental Sciences—Albertus Magnus—Roger Bacon&amp;quot;], D.J. Kennedy (1919), in the University of Notre Dame's online Jacques Maritain Center collection&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Jim still had his uses ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Jim still had his uses ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1112&amp;oldid=prev</id>
		<title>Eb: /* Ptolemy doesn't mention the Southern hemisphere .... it's not important */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1112&amp;oldid=prev"/>
		<updated>2017-04-17T17:30:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Ptolemy doesn&amp;#039;t mention the Southern hemisphere .... it&amp;#039;s not important&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:30, 17 April 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l112&quot; &gt;Line 112:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 112:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lyle's question to Dr. McGuffey is one of the simplest and most popular challenges to the premises of astrology (although not one that Origen, living in the northern hemisphere, would have thought of): the traditional meanings of the constellations and planets, although supposedly representing universal truths—sometimes tied to the climate, such as the association of Aries with spring—are derived from European and North African sources who didn't know that the other half of the world has opposite seasons and different constellations. Modern astrologers have thought of various ways to rationalize this&amp;lt;ref&amp;gt;For instance, [http://www.angelfire.com/music2/alchemy/astrology/mirrorzodiac.html &amp;quot;Astrology: Are Zodiac Signs Reversed In Earth's Southern Hemisphere?—A Whole-Earth, Dual-Sign, 6-sign, or Mirror Zodiac: A Possible Solution To The Problem Of Matching Astrology's Seasonally-Derived, Northern Hemisphere Zodiac Signs To Countries In The Southern Hemisphere&amp;quot;] (author unknown)&amp;lt;/ref&amp;gt;, but McGuffey here takes the simplest possible approach by just embracing Eurocentric racism.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Lyle's question to Dr. McGuffey is one of the simplest and most popular challenges to the premises of astrology (although not one that Origen, living in the northern hemisphere, would have thought of): the traditional meanings of the constellations and planets, although supposedly representing universal truths—sometimes tied to the climate, such as the association of Aries with spring—are derived from European and North African sources who didn't know that the other half of the world has opposite seasons and different constellations. Modern astrologers have thought of various ways to rationalize this&amp;lt;ref&amp;gt;For instance, [http://www.angelfire.com/music2/alchemy/astrology/mirrorzodiac.html &amp;quot;Astrology: Are Zodiac Signs Reversed In Earth's Southern Hemisphere?—A Whole-Earth, Dual-Sign, 6-sign, or Mirror Zodiac: A Possible Solution To The Problem Of Matching Astrology's Seasonally-Derived, Northern Hemisphere Zodiac Signs To Countries In The Southern Hemisphere&amp;quot;] (author unknown)&amp;lt;/ref&amp;gt;, but McGuffey here takes the simplest possible approach by just embracing Eurocentric racism.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although popular pseudoscience was always one of Sladek's favorite targets (both in fiction, and in his 1973 nonfiction book ''The New Apocrypha''&amp;lt;ref&amp;gt;Sladek, John. ''The New Apocrypha: A Guide to Strange Sciences and Occult Beliefs''. Stein and Day, 1973. ISBN 0812817125&amp;lt;/ref&amp;gt;, he focused extra attention on astrology when he wrote ''Arachne Rising''&amp;lt;ref&amp;gt;Vogh, James (John Sladek). ''Arachne Rising''. Granada, 1977. ISBN 0246109319&amp;lt;/ref&amp;gt; in 1977 under the pseudonym James Vogh. ''Arachne Rising'' was a straight-faced prank in which he attempted—with some success—to convince readers that mainstream astrologers had been &amp;quot;suppressing&amp;quot; the existence of a 13th zodiac sign. He followed this with two similar spoofs, ''The Cosmic Factor''&amp;lt;ref&amp;gt;Vogh, James (John Sladek).  ''The Cosmic Factor: Bioastrology and You''. Dodd, Mead, 1978. ISBN 0396076858&amp;lt;/ref&amp;gt; and ''Judgement of Jupiter''&amp;lt;ref&amp;gt;Tilms, Richard (John Sladek). ''Judgement of Jupiter''. New English Library, 1980. ISBN 0450051536&amp;lt;/ref&amp;gt;, before giving up these endeavors as &amp;quot;a gigantic waste of time.&amp;quot;&amp;lt;ref name=&amp;quot;langford-obit&amp;quot;&amp;gt;Langford, David. [http://ansible.uk/writing/ft143.html &amp;quot;Remembering John Sladek&amp;quot;]. ''Fortean Times'', 143. February 2001. Accessed July 20, 2016.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although popular pseudoscience was always one of Sladek's favorite targets (both in fiction, and in his 1973 nonfiction book ''The New Apocrypha''&amp;lt;ref&amp;gt;Sladek, John. ''The New Apocrypha: A Guide to Strange Sciences and Occult Beliefs''. Stein and Day, 1973. ISBN 0812817125&amp;lt;/ref&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;)&lt;/ins&gt;, he focused extra attention on astrology when he wrote ''Arachne Rising''&amp;lt;ref&amp;gt;Vogh, James (John Sladek). ''Arachne Rising''. Granada, 1977. ISBN 0246109319&amp;lt;/ref&amp;gt; in 1977 under the pseudonym James Vogh. ''Arachne Rising'' was a straight-faced prank in which he attempted—with some success—to convince readers that mainstream astrologers had been &amp;quot;suppressing&amp;quot; the existence of a 13th zodiac sign. He followed this with two similar spoofs, ''The Cosmic Factor''&amp;lt;ref&amp;gt;Vogh, James (John Sladek).  ''The Cosmic Factor: Bioastrology and You''. Dodd, Mead, 1978. ISBN 0396076858&amp;lt;/ref&amp;gt; and ''Judgement of Jupiter''&amp;lt;ref&amp;gt;Tilms, Richard (John Sladek). ''Judgement of Jupiter''. New English Library, 1980. ISBN 0450051536&amp;lt;/ref&amp;gt;, before giving up these endeavors as &amp;quot;a gigantic waste of time.&amp;quot;&amp;lt;ref name=&amp;quot;langford-obit&amp;quot;&amp;gt;Langford, David. [http://ansible.uk/writing/ft143.html &amp;quot;Remembering John Sladek&amp;quot;]. ''Fortean Times'', 143. February 2001. Accessed July 20, 2016.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Business Appreciation and Applied Ethics ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Business Appreciation and Applied Ethics ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1098&amp;oldid=prev</id>
		<title>Eb: use template</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1098&amp;oldid=prev"/>
		<updated>2017-02-13T01:53:08Z</updated>

		<summary type="html">&lt;p&gt;use template&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:53, 13 February 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This was originally published as Book One of ''[[Roderick]]'', and is also Book One of the combined edition ''The Complete Roderick''.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This was originally published as Book One of ''[[Roderick]]'', and is also Book One of the combined edition ''The Complete Roderick''.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;== Summary ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;{{SummaryCollapsed |&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;div class=&amp;quot;mw-collapsible mw-collapsed&amp;quot;&amp;gt;&lt;/del&gt;In an obscure Midwestern university, a computer science team develops Roderick, the first true artificial intelligence. Unknown to the researchers, the funding for their project was actually part of an elaborate scam, causing the university to drop the project and disavow their work. Lead researcher Dan Sonnenschein secretly ships Roderick out of town, but not before attracting the attention of a ruthless (but inept) assassin sent by the shadowy anti-robot group The Orinoco Institute. Meanwhile, the campus is disrupted by a visit from the dictator of Ruritania, and terrorized by a serial killer.&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;/div&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In an obscure Midwestern university, a computer science team develops Roderick, the first true artificial intelligence. Unknown to the researchers, the funding for their project was actually part of an elaborate scam, causing the university to drop the project and disavow their work. Lead researcher Dan Sonnenschein secretly ships Roderick out of town, but not before attracting the attention of a ruthless (but inept) assassin sent by the shadowy anti-robot group The Orinoco Institute. Meanwhile, the campus is disrupted by a visit from the dictator of Ruritania, and terrorized by a serial killer.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Chapter I ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Chapter I ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1059&amp;oldid=prev</id>
		<title>Eb: /* guys fuckin' clocks */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=Roderick/Book_One&amp;diff=1059&amp;oldid=prev"/>
		<updated>2017-02-05T06:53:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;guys fuckin&amp;#039; clocks&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:53, 5 February 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l269&quot; &gt;Line 269:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 269:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is almost literally physically painful to acknowledge this pun, or anagram rationalization, or whatever you want to call it, but the obscene drawing described here with the &amp;lt;small&amp;gt;DALI LAID DIAL&amp;lt;/small&amp;gt; caption is of course based on Dali's painting ''{{wp|The Persistence of Memory}}''. Good grief, Sladek.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It is almost literally physically painful to acknowledge this pun, or anagram rationalization, or whatever you want to call it, but the obscene drawing described here with the &amp;lt;small&amp;gt;DALI LAID DIAL&amp;lt;/small&amp;gt; caption is of course based on Dali's painting ''{{wp|The Persistence of Memory}}''. Good grief, Sladek.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One might assume that the graffiti artist was Allbright: that kind of compulsive free-association is in character for him, and I'm not sure there are any other characters hanging around Minnetonka U who are creative enough ''and'' rude enough. However, Allbright does at times seem to be partly an excuse for the author to throw in any word games he already felt like playing (although this may also be a sign that the author felt a little guilty about doing so, since Allbright is a basket case and this is what he does ''instead of'' writing his poetry). To David Langford's&amp;lt;ref name=&amp;quot;langford-interview&amp;quot;&amp;gt;[http://ansible.uk/writing/jsladek.html &amp;quot;An Interview with John Sladek&amp;quot;], &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;David Langford (1982&lt;/del&gt;)&amp;lt;/ref&amp;gt; question about whether the &amp;quot;thread of compulsive intellectual doodling that runs through [his] work&amp;quot; might have something to do with his lapsed Catholicism, Sladek said &amp;quot;Whence the ciphers and anagrams, I don't know&amp;quot; but added that &amp;quot;Catholics (among others) behave as though the world were one enormous cipher text in which every thing means something—but only to God or Fate.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;One might assume that the graffiti artist was Allbright: that kind of compulsive free-association is in character for him, and I'm not sure there are any other characters hanging around Minnetonka U who are creative enough ''and'' rude enough. However, Allbright does at times seem to be partly an excuse for the author to throw in any word games he already felt like playing (although this may also be a sign that the author felt a little guilty about doing so, since Allbright is a basket case and this is what he does ''instead of'' writing his poetry). To David Langford's&amp;lt;ref name=&amp;quot;langford-interview&amp;quot;&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Langford, David. &lt;/ins&gt;[http://ansible.uk/writing/jsladek.html &amp;quot;An Interview with John Sladek&amp;quot;]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. ''Vector'' 112. February 1983. (Reproduced in ''Ansible''. Accessed July 20&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;2016.&lt;/ins&gt;)&amp;lt;/ref&amp;gt; question about whether the &amp;quot;thread of compulsive intellectual doodling that runs through [his] work&amp;quot; might have something to do with his lapsed Catholicism, Sladek said &amp;quot;Whence the ciphers and anagrams, I don't know&amp;quot; but added that &amp;quot;Catholics (among others) behave as though the world were one enormous cipher text in which every thing means something—but only to God or Fate.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== this Graham Greene yarn I'm reading ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== this Graham Greene yarn I'm reading ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
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